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- Feb 13, 2006
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Then Id be curious like others to see these "famous" names that have never picked up a digital SLR.Erm, no I'm not heh, the guy I'm referring to uses a p&c digital. I know the difference.
Then Id be curious like others to see these "famous" names that have never picked up a digital SLR.Erm, no I'm not heh, the guy I'm referring to uses a p&c digital. I know the difference.
Me as well.Then Id be curious like others to see these "famous" names that have never picked up a digital SLR.
From f/11 to f/16 is not one stop. Aperture affects the amount of detail. Shutter speed does not make up for that. A high shutter speed "freezes" motion and adds crispness and sharpness to the photo, but detail and depth of field is still dictated by aperture control. You are confusing sharpness with detail.No, I fully understand what you're saying there, I'm just saying a difference of one stop isn't a drastic difference. Were shutter speeds compared? Drop a stop and increase your shutter speed and you have the same settings in photography terms.
The primary difference between a p&c and an SLR from the controllers/technical point of view is a p&c assumes you don't know what you want, and chooses it for you, and an SLR hands the control over to you, the higher end the camera, the more control. However as far as quality (resolution in particular) if you have a 12mp p&c and an older 5 or 6 mp SLR, which ones going to have the higher quality? The photographer matters more than the camera, period. That isn't in any way to say having a better camera isn't nicer, the problem is most people see a better camera as more of a bragging right than a quality tool.
(snip) the higher end the camera, the more control.
You mean "grain"? ISO helps in poorly lit situations, and definitely does a lot more than impart "grain" to a photo. :clap:Hang on there. Actually the control you get with a "high end" camera is illusory. There are only a few variables you can control in between your subject and the ccd.ALL of the rest is post processing. This is all analogous to film cameras. My Nikkormat FTn gives me the same degree of control. If I develop my own film, I can control it even more. If I make my own prints I can control it even more. Again, there are analogues with digital processing, but my point is that all of those features on the D300 are not actually giving more control to the photographer. Ansel Adams was in perfect control of the image from the moment he actuated the shutter to the moment he took the print off of the drying line, as have been generations of photographers using what would be considered 'low end' gear.
- amount & color of light striking/reflecting off of the subject
- aperature
- shutter speed
- ISO (actually 'gain' in the case of digital cameras)
Um, yes it is.From f/11 to f/16 is not one stop.
In a sense yes, but that's not exactly a very good explanation. Aperture is the opening in your lens that controls the amount of light to hit the film on 35mm's or your CMOS on a digital. By opening the aperture (lowering the f/stop) you let in more light and therefore reduce your depth of field - this is how you get those infamous subject in focus and background out of focuspictures, for example. By closing the aperture (raising the f/stop) you are letting in a smaller amount of light into the camera lens and thus extending your depth of field - how you get those great landscape shots where everything is in tight focus from close to far.Aperture affects the amount of detail.
Actually yes it does. For example the following speeds are considered the norm on all cameras (digital and film);Shutter speed does not make up for that.
No, I'm sure he means gain. ISO back in the film days was also known as ASA, aka your film speed. A higher speed film had chemicals that reacted quicker to light therefore allowing for proper exposure when much less light was present. In the case of digital cameras, it's now a form of 'gain', much like on your guitar amp, where it attempts to compensate for lower light situations, in many situations causing more noise to appear on your camera.You mean "grain"? ISO helps in poorly lit situations, and definitely does a lot more than impart "grain" to a photo.
Firstly, my comment on aperture affecting detail was not an explanation or definition of the term.In a sense yes, but that's not exactly a very good explanation. Aperture is the opening in your lens that controls the amount of light to hit the film on 35mm's or your CMOS on a digital. By opening the aperture (lowering the f/stop) you let in more light and therefore reduce your depth of field - this is how you get those infamous subject in focus and background out of focuspictures, for example. By closing the aperture (raising the f/stop) you are letting in a smaller amount of light into the camera lens and thus extending your depth of field - how you get those great landscape shots where everything is in tight focus from close to far.
Bokeh, or the quality of the out of focus areas of your photo has absolutely nothing to do with the camera/sensor, and everything to do with the glass. So in this case once again while you run a much better chance of having higher quality bokeh in an SLR, if your lenses are cheap, this can once again potentially be outperformed by a point and shoot. Not saying it will be, or often is, just that it could be.
You mean "grain"? ISO helps in poorly lit situations, and definitely does a lot more than impart "grain" to a photo. :clap:
Illusory? In this thread you've never ceased to surprise me. Do you get that amount of control with a compact, or point&shoot, camera? With a P&S, because of the tiny sensor (for most), there is practically no bokeh, no depth of field and poor ISO performance, among others.
I have a D40. I know someone who uses a D300. The D300 has much more ISO control than the D40, for your information. What does that mean? It means the D300 gives me more control over my overall image than the D40 does, due to the extra control I get for ISO, among others. In turn, what does that mean? It means yes, you do get more overall control with more high-end gear.As far as comparing 'high end' and 'low end' gear goes, I thought it was fairly clear (apparently not) that I was talking about cameras for which you can actually control the 4 things I mentioned. The discussion was whether Cody's D80 would be capable of producing a similar quality of photo as a more expensive camera (say a D300) with more features. I was simply pointing out that in that case, more features don't necessarily mean more 'control' of the image. Control your light, aperture, shutter speed, ISO (and composition and focus) and you have done all you can do. More buttons or menu items won't necessarily help you do any of that.
I interpreted it as condescending because your reply quoted my post, so it certainly seemed as if the information was meant for me.I wasn't trying to be condescending, my apologies if it came across that way. What I was trying to do, given that the majority of people here are just hobbyist photographers and probably don't have the time or care to take a class on the subject, was to be concise about my explanations so that anybody could easily follow what was being discussed.
How many people can you walk up to in the street, flip open a magazine and ask them what they think of the bokeh in particular picture, and actually get a reply other than 'huh?'? That's what I was trying to keep in mind.
Agreed well put! :clap:I have a D40. I know someone who uses a D300. The D300 has much more ISO control than the D40, for your information. What does that mean? It means the D300 gives me more control over my overall image than the D40 does, due to the extra control I get for ISO, among others. In turn, what does that mean? It means yes, you do get more overall control with more high-end gear.
Try taking full body shots of your Ts from farther back. Those lenses you have are not going to give you good crisp close images. I see that shot you posted was shot at 135mm, so you zoomed and cropped a lot to get the image you posted. You lose quality when you do that. I would try some full body shots of the Ts and see if they are better. Don't zoom or crop.ok see if it loads right this time...another L.p. shot...again critisize please... View attachment 76146
Theoretically, yes, but nevertheless, anyone who has a D3 is likely to be more capable than someone with a D40. Why?I'm not saying that you've said or implied this Gavin, this is for everybody; saying that somebody with a d40 is less capable than somebody with a d3 is like saying that anybody without an OBT is just a wannabe, and it just isn't true, agree?
Not just identical settings, but same lens on each camera body. Not all lenses are identical in quality. Surely everyone must know this.Aperture affects IQ drastically, if you haven't realised. Since Noexcuse4you was comparing two cameras with vastly different capabilities and saying that difference didn't matter, he should have used identical settings (as much as possible) on both cameras to make it a fair comparison. Surely you understand this?
Damn...slipped my mind. :wall:Not just identical settings, but same lens on each camera body. Not all lenses are identical in quality. Surely everyone must know this.
That is why this hobby is so awesome. I am no where near as good as I can be, but I make goals to get better! It would be boring if we all woke up and could take a 10/10 picture every single time, that would ruin the challenge of it all.Best thing you can do is learn your camera and equipment, there are tons of online researches that can help you. You can't become a better photographer without lots of practice.
Don't feel bad I glossed over that tidbit too. Odd comparison to make with two different cameras and lenses lol.Damn...slipped my mind. :wall:
Agreed well put! :clap: